Tính trò chơi trong thơ Nôm Hồ Xuân Hương nhìn từ phương diện văn hóa và tư duy

Abstract

As being a striking poetic phenomenon in the latter Middle Ages of Vietnam, recently Nom poet Ho Xuan Huong also has been explored and evaluated from the game theory point of view. This article is the first step to study about the values of culture and reflection in the works in Nom by Ho Xuan Huong as an object of study of the game theory. In there the cultural space of satirical, goofy folk festivals and other aspects that express disbelief, relief of the central element and the spirit of women rights are playful, game-like values in the Nom poetry of Ho Xuan Huong that need to be clarified.