Sự vận động nghệ thuật trần thuật từ “Cánh đồng bất tận” đến “Biên sử nước” của Nguyễn Ngọc Tư

Abstract

After a quarter century of writing, Nguyen Ngoc Tu showed that the constant sense of artistic innovation has been both bravery and identity, thereby enhancing Southern literature and affirming her important position in contemporary Vietnamese literature. This paper examines narrative art, focusing on the elements of plot structure and narrator in Canh dong bat tan and Bien su nuoc, and explains the artistic movement in her creative journey. The transformation from the unified and complete plot to the fragmented, multi-layered structure, from the only homodiegetic narrator to the diversification of the narrative “self”, from sympathetic, compassionate to objective voice, cold, ... shows a significant change in life perception in artistic conception and creative style of Nguyen Ngoc Tu.