Biểu Tượng Nước và Rắn trong Tiểu Thuyết Cha Giết Con và Đôi Bước Lưu Ly của Phêrô Nghĩa trên Tuần Báo Nam Kỳ Địa Phận

Abstract

Literature in the magazine Nam ky dia phan during the early 20th century stood out with diverse themes that captivated contemporary readers. Among the notable authors of this era, Phêrô Nghĩa stands out for his works that illustrate the intersection of symbolic meanings across the realms of religion, culture, and literature. This article analyzes two artistic symbols in his representative novels, specifically the symbols of water and snakes in Cha Giết Con and Đôi Bước Lưu Ly, aiming to explore the author's artistic proficiency. Employing a socio-historical method alongside an interdisciplinary approach that incorporates religion and culture, this article delves into the layers of meaning concealed within the imagery of water and snakes. The significance of these two symbols is dual-faceted, evoking both positive and negative interpretations. However, given the author's Catholic background, there is a tendency towards a more negative meaning, reflecting the impressive narratives found in the Bible, while still resonating with Vietnamese national culture. This demonstrates his talent for artistic innovation in the field of early 20th-century novels.